Titlebook: After In-Yer-Face Theatre; Remnants of a Theatr William C. Boles Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive

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Crime, Justice and Social Democracy in existing scholarship. Holden, therefore, assesses the ways in which the YPT sourced and developed a new generation of playwrights which ultimately supported the Court in the realization and implementation of its vision.

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Heng Choon (Oliver) Chan,Samuel Adjorlolo oeuvre had on the audience. This chapter concludes with a brief analysis of the repercussion the work of Sarah Kane had on the Portuguese artistic landscape and questions whether or not it would make sense to return to it almost twenty years later.

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The Criminal: Myth and Reality,two styles of storytelling impact the possibilities for healing or recuperation? Whilst the traditional dialogic form used in . (2000) lends itself to a traditional Aristotelian resolution, the direct address of . (2013) and . (2015) results in a more problematic ending for both protagonist and audience.

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