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Titlebook: After Austen; Reinventions, Rewrit Lisa Hopkins Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Influence.Genre.Style.Film.W

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41#
發(fā)表于 2025-3-28 17:30:19 | 只看該作者
42#
發(fā)表于 2025-3-28 21:40:57 | 只看該作者
Jane Austen, Free Indirect Style, Gender and Interiority in Literary Fiction thought and language use as hesitant, equivocal and spontaneous. I explore the influence of Austen’s style with close analysis and comparison of passages of interiority in Austen’s . Katherine Mansfield’s short story ‘Millie’ and Monica Ali’s novel ..
43#
發(fā)表于 2025-3-29 00:32:03 | 只看該作者
and Narrative Tensions in Austen’s Biopicsbiopics and classical literary adaptations, while still reaffirming the transformative romantic love central to such retellings. Moreover, it is proposed that Austenland, the location in the film, with its performed and constructed version of Austen’s life and works, stands as an ironic representation of Austen biopics.
44#
發(fā)表于 2025-3-29 05:07:18 | 只看該作者
Crime and Corruption in New Democraciesple, and in Austen biography and myths. In addition to illuminating the Christie/Austen connection, I aim to offer a model of how Austen scholars might productively pursue other apparently slender threads connecting Austen’s successor authors to her, especially those links that cross the canonical divide between ‘popular’ and ‘literary’ fiction.
45#
發(fā)表于 2025-3-29 09:42:44 | 只看該作者
‘Dear Aunt Jane’: Agatha Christie’s Miss Marple and Jane Austenple, and in Austen biography and myths. In addition to illuminating the Christie/Austen connection, I aim to offer a model of how Austen scholars might productively pursue other apparently slender threads connecting Austen’s successor authors to her, especially those links that cross the canonical divide between ‘popular’ and ‘literary’ fiction.
46#
發(fā)表于 2025-3-29 15:25:22 | 只看該作者
47#
發(fā)表于 2025-3-29 17:36:02 | 只看該作者
48#
發(fā)表于 2025-3-29 19:53:12 | 只看該作者
49#
發(fā)表于 2025-3-30 03:28:32 | 只看該作者
‘Within View of His Own Warehouses’: Sites of Change in , and enteel prejudiced heroine comes to embrace, we can see that . is likewise open to considering those who live ‘within view of [their] own warehouses’ as a moral voice and a force for positive change in society.
50#
發(fā)表于 2025-3-30 05:33:09 | 只看該作者
Introduction: Looking at Austen,e Austen and Vera Nazarian’, Mr Darcy is a platypus so often that he has a wet shirt, a clear reference to the iconic image of Colin Firth’s Mr Darcy emerging from the lake. Mr Darcy has told his own story at least three times, the Bennet family’s servants have had theirs told in Jo Baker’s ., and t
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