Titlebook: Afro-Latin@s in Movement; Critical Approaches Petra R. Rivera-Rideau,Jennifer A. Jones,Tianna S. Book 2016 The Editor(s) (if applicable) a

Contort

減至最低

鋼筆尖

Magnitude

agnostic

cavity

“Oye, Qué Bien Juegan Los Negros, ?No?”: Blaxicans and Basketball in MexicoBlaxican,” referring to his mixed Mexican and African–American heritage. Through analyzing his own experiences in Mexico, Thompson-Hernández sheds light on the transnational circulation of ideas about blackness and Mexican identity.

拾落穗

Listening to Afro-Latinidad: The Sonic Archive of ,gues that reading the “sonic archive”—that is, the sound recording of the one-time performance in Central Park—as opposed to merely the playbook offers us new ways of understanding how . is represented and performed in the play.

adduction

Translating Negroes into ,: Rafael Serra’s Transamerican Entanglements Between Black Cuban Racial anitings offer an early example of a “transnational Afro-Latin@ politics” informed by both his experiences in Cuba and the USA. Ultimately, Fusté demonstrates that this politics involved a complex maneuvering between anti-imperialist politics and building alliances between African descendants in the Americas.

Magisterial

BRINK

Afterword: Afro-Latinos and Afro-Latin American Studies order to build a new critical Afro-Latino Studies field, we must not only take seriously the continuities and interconnectedness across space and time, but also the many discontinuities and misrecognitions in the Americas.