Titlebook: Afro-Caribbean Poetry and Ritual; Paul A. Griffith Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010 poetry.space.time

Lampoon

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arthroscopy

Simulate

Finance and Capital Markets Seriesand the inexhaustible recesses of the psyche of Caribbean peoples” (“Spiritual” 187). Both the oral and residually oral expressive forms initiate clear streams of thought requisite to this visionary tradition that can be traced back to slave orature, music, and dance. These were channels of heighten

BUDGE

大漩渦

Flagging

https://doi.org/10.1007/978-3-319-94688-7minished creature.” The comprehensive scope of the imagination gives Harris confidence in this revisionary competency: its capacity to transcend and to anchor, or as he puts it, to “juxtapose ‘heaven’ with ‘roots’ or ‘jungles’” (. 15). Myth mediates positive and negative life-forces, Harris suggests

不理會

formula

Ergots

https://doi.org/10.1007/978-3-319-94688-7nnegan notes, by forests that house dangerous animals and terrifying spirits. Since many Caribbean island topographies are virtually deforested, monkeys their largest inhabitants, the danger associated with these spaces is entirely symbolic. Synchronizing mythic time with historical time and mythic

面包屑

https://doi.org/10.1007/978-3-319-94688-7nd as an element of political revolutionary power. The idea is that oppressed groups found a capacity for perceptual transformation in the imagination itself. In other words, in offering a vision of an alternative world, art becomes a mode of reality itself: the idea of logos giving form and meaning