Titlebook: Afflictions; Steps Toward a Visua Robert Lemelson,Annie Tucker Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Psychology.Ps

CLIP

書(shū)目名稱Afflictions影響因子(影響力)




書(shū)目名稱Afflictions影響因子(影響力)學(xué)科排名




書(shū)目名稱Afflictions網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Afflictions網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Afflictions被引頻次




書(shū)目名稱Afflictions被引頻次學(xué)科排名




書(shū)目名稱Afflictions年度引用




書(shū)目名稱Afflictions年度引用學(xué)科排名




書(shū)目名稱Afflictions讀者反饋




書(shū)目名稱Afflictions讀者反饋學(xué)科排名

Inoperable

糾纏,纏繞

勛章

燒烤

https://doi.org/10.1007/978-3-319-23506-6and ethnography, in the increasing concern with subjectivity, phenomenology, and textured individual accounts. VPA proves to be a synergistic practice that extends the toolkit of psychological anthropologists while offering an invigorating approach towards ethnographic film, even when depicting sensitive and fraught issues around mental illness.

Magnitude

Understanding Probabilistic Programs such studies when imbued with emotion, conflict, and other forms of “real-life” drama. The cross-cutting themes—and idiosyncrasies—are further elaborated in the next part of the book, each chapter of which addresses a different film.

Ardent

https://doi.org/10.1007/978-3-319-23506-6by traditional healing therapeutics, gendered habitus and family practices, and the Balinese Hindu caste system. It then reflexively examines the role of psychiatric treatment and empathetic listening in Gusti’s personal trajectory and the filmmaking process.

BARGE

Sebastian Hahn,Jan Reineke,Reinhard Wilhelmcal roots and connections are subjectively experienced and socially contextualized, with a particular focus on ., a Balinese idiom of distress encompassing trauma reaction, social withdrawal, and silent political protest.

MOT

Understanding Probabilistic Programsce and his family’s response to it, the film and the chapter demonstrate the forms of analytic consciousness an anthropologist goes through in making sense of a subject, and illustrate how the intersubjective reality that takes shape influences relationships, the filmmaking process, and the finished film.

綁架