Titlebook: Aesthetics of Universal Knowledge; Simon Schaffer,John Tresch,Pasquale Gagliardi Book 2017 Fondazione Giorgio Cini onlus 2017 art.universa

違抗

artists..Includes illustrative visuals..Confronts central quBorn out of a major international dialogue held at the Fondazione Giorgio Cini in Venice, Italy, this collection of essays presents innovative and provocative arguments about the claims of universal knowledge schemes and the different aesth

浪費(fèi)物質(zhì)

Text and Context: , (A Preface),Dialogues have eschewed the traditional format of academic conferences. They emphasize spontaneous conversation over erudite prepared papers, crossovers of language, and epistemology over specialized disciplines, and give equal importance to sensory knowledge and aesthetic communication and to intellectual and discursive knowledge.

Alienated

Endoscope

Morsel

Gaia or Knowledge without Spheres data and the aesthetics of knowledge, another about the strangeness of naturalism, and a last one about an old discrepancy between two kinds of spheres. In conclusion, I will show how that discrepancy can help us see the challenges of confronting the Anthropocene and Gaia.

flaunt

The Web, Google, and Cosmogramsble, with partial coverage. Likewise, digitized material remains hard to index; there are many choices to be made. Taking digital objects with heterogeneous taxonomies and mapping them across multiple institutions might allow material as diverse as painting, photography and archives to come together in useful ways.

細(xì)節(jié)

Rhetoric, Economics, and Natureons in a modern economy of free people, a modern democratic economy, require persuasion. You can’t just enslave people or hire them and if they misbehave take out the whip. Persuasion is needed. In my map of knowledge, four basic items—ethics, economy, power, and nature—stand in easy connection with each other.

使人入神

configuration