Titlebook: Aesthetico-Cultural Cosmopolitanism and French Youth; The Taste of the Wor Vincenzo Cicchelli,Sylvie Octobre Book 2018 The Editor(s) (if ap

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The Morphology of Cultural Consumption Repertoiresnal products. Cosmopolitan openness is largely governed by the . process—a concept we propose in this chapter—rather than the overall intensity of youth cultural consumption. It entails the categorization of cultural products according to their national origins and their attributed aesthetic charact

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Five Configurations of Aesthetico-Cultural Cosmopolitanism serve as a measurement standard; in fact, the various combinations, degrees, and levels of cosmopolitanism that are observed may be reversible, since they are shaped equally by real aesthetic experiences and symbolic relationships with the world, its objects, and cultural representations. A number

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Conclusion to Part I: A Continuum of Configurationst any particular intentionality (inadvertent cosmopolitanism, 34%); the second is engagement, which can take two forms (specific cosmopolitanism, which occurs primarily through reading, 32%; and cosmopolitan fandom, which is marked by a general stance of openness to diversity, 17%); the third respon

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Omnivorism and Aesthetico-Cultural Cosmopolitanism, this chapter reveals how a new approach to univorism can shed light on cosmopolitan phenomena (and perhaps, also on more broadly cultural phenomena) that seem to contradict the cumulative logic of omnivores: some great amateurs are cosmopolitan univores. Nonetheless, both perspectives share a stro

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