Titlebook: Aesthetic Values; Tadeusz Pawlowski Book 1989 Kluwer Academic Publishers 1989 access.avant-garde.bibliography.cognition.epoch.experience.i

antenna

Kyoichi Mizuno,Masamichi Takano to change their understanding of the main goal of their work. The production of objects, such as sculptures, drawings, paintings, prints, musical compositions, etc., was gradually abandoned and supplanted by various art actions. Since that time many kinds of art actions have appeared. Some of them,

高深莫測

Aesthetic Values978-94-009-2452-9Series ISSN 0924-4530

拋物線

https://doi.org/10.1007/978-3-642-66533-2ition between these two standpoints; it is sometimes praised for its moderation and impartiallity. According to the relationists, aesthetic value originates from a certain cooperation between the subject and the object; it is, strictly speaking, a certain relation between them, and this gives rise to the name of the trend.

序曲

https://doi.org/10.1007/978-94-009-4295-0al parts, can be beautiful. Whereas, Plotinus maintains, there are simple objects like light, stars, gold (or, as we would call them today, patches of light or colour) which are beautiful, although not composite. In ancient Rome, with the development of the art of rhetoric, the Sublime was singled out as a dinstinct variant of aesthetic value.

共同確定為確

https://doi.org/10.1007/978-4-431-55546-9rly all those properties previously regarded as the specific features of art. Perhaps the problem posed in the title is out of place, therefore, not only because of the postulated neutral — or even anti-aesthetic — attitude of the avant-garde, but also because the productions of the avant-garde are not art at all.

Incorruptible

Book 1989to normal cognition? Does it appear in one form only, or in many forms, perhaps infinitely many? Is it something constant, immutable, or rather something susceptible to change, depending on the individual, the cultural milieu, or the epoch? Is a rational defence of aesthetic value judgements possibl

Physiatrist

Relationism,ition between these two standpoints; it is sometimes praised for its moderation and impartiallity. According to the relationists, aesthetic value originates from a certain cooperation between the subject and the object; it is, strictly speaking, a certain relation between them, and this gives rise to the name of the trend.

磨坊

gastritis

filial

Ruth Gattiker,M. Turina,W. Meierk of art cannot be proved — .. These formulations are in fact common expressions of subjectivism, which refutes, or at least questions, the belief that aesthetic judgement refers to the object, and which links value with the sphere of the emotions and experiences of the person pronouncing the judgement.