Titlebook: Aesthetic Communication; Ole Thyssen Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011 Advertising.communicati

Fillet,Filet

Organizational Advertising,ing, we shall look at the particular segment of the world known as the ‘world of advertising’, which is a segment of the communication between the organization and users of its products — with the extra flourish that advertising also has a hidden address to other receivers — for example, the organization’s employees, investors and non-users.

懸掛

錢(qián)財(cái)

Organizational Aesthetics,to do with the enjoyment that not only art works but also actions and nature can give. The beautiful promotes life, as Kant puts it,. while Aristotle many years earlier claimed that ‘[p]leasure completes the activity not as the inherent state does, but as an end which supervenes as the bloom of yout

Libido

The Organizational Image,e learn how to orchestrate illusions, and Shakespeare plays with the metaphor of the world as a theatre — a mirror that shows reality but only ‘a(chǎn)s in a glass darkly’ and thus as a riddle. In the Renaissance, a huge disruption begins in which Europe shakes itself loose from its feudal bonds and begin

合法

Organizational Rhetoric,is depends on the sender’s purpose. For an organization, there is always an intent to draw a picture and, therefore, it is not enough without more that the picture looks like something, gives an impression, or symbolizes. The picture’s success depends on its effect on the receiver and, therefore, th

Nonconformist

Organizational Narratives,tone structures), and linguistically (bearers of meaning). To present a pattern requires time, so every new element in the pattern relates to previous elements and is open to later elements. But the theme of the communication can itself be developed as a sequence of time. Then, we are not talking ab

無(wú)辜

祖?zhèn)髫?cái)產(chǎn)

Organizational Advertising,laining that organizations advertise themselves and their products. The current meaning of the word ‘.’ should not be traced back to its Latin roots but only to the American word ‘reclaim,’ which means to claim something for gain, that is, to recommend and lure for an ulterior purpose. In the follow

optional

Organizational Architecture,to telephones to cars and buildings. To say that these things are only communication is also oddly misleading, since we communicate ‘a(chǎn)bout’ a telephone on the condition that it exists as a physical object for both sender and receiver. In this section, we shall look at how architecture enters into or

JOT

Organizational Design,only deal with human works but also natural forms. On the other hand, design can be limited to the design of everyday utility items, particularly those with which you surround yourself and your home. Before we choose sides, we shall look at the background of the concept.