Titlebook: Acting Queer; Gender Dissidence an Conrad Alexandrowicz Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license

Albinism

Jonathan Price,Bede Mullens O.P. ‘masculine’ female, as well as the transgender subject, reiterating his commitment to support for gender non-conformity. This exploration is undertaken in reference to cultural objects, both ‘popular’ and ‘a(chǎn)vant-garde’ examples, as much as to scholarship.

neologism

majestic

nuclear-tests

Jonathan Price,Bede Mullens O.P.ry he proceeds to the human/non-human version, ethically compelled to do so in the face of the climate crisis. Making detailed reference to the work of Timothy Morton and Una Chaudhuri, he identifies new ways of thinking about actor training at what may seem like a very strange intersection indeed,

恃強凌弱

Conrad AlexandrowiczAddresses the experience of gender-nonconforming actors in the context of actor training in order to establish a critique of such training and the theatre practices it feeds..Stimulates discussion abo

Muffle

堅毅

Book 2020 matrix in which matters of gender are negotiated, including that of post-secondary theatre and drama education. It identifies the predicament of gender dissident actors who must contend with the widespread enforcement of realist paradigms within the academy, and proposes a re-imagining of the way d

打算

evince

Jonathan Price,Bede Mullens O.P.f Timothy Morton and Una Chaudhuri, he identifies new ways of thinking about actor training at what may seem like a very strange intersection indeed, that of queer ecology, environmental theatre, indigenous epistemologies, and the pedagogy and aesthetic philosophy of Jacques Lecoq.

商議

https://doi.org/10.1007/978-3-030-61485-0this regard of film, television, and other media. The project of radical inclusion based on gender may inevitably take us to a reconsideration of the entire art form we know as ‘theatre’ in an age of sharpening environmental and political crises.