Titlebook: A Vindication of the Redhead; The Typology of Red Brenda Ayres,Sarah E. Maier Book 2021 The Editor(s) (if applicable) and The Author(s), u

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Conclusion and Suggestions for Future Work,uxom females, both excessively sexually charged and obsessed with securing illicit sex with humans of the opposite or same gender. The first recorded depiction is in the Bible, followed by . (2800–2500?BC), Augustine of Hippo’s . (400–430), . (975–1025), the study of Franciscan friar Ludovico Maria

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Conclusion and Suggestions for Future Work,Romantics. In turn, the redhead types have influenced red-haired . in numerous novels such as Mary Braddon’s . (1862), Wilkie Collins’ . (1864–1866), John Fowles’ . (1969), Daphne du Maurier’s . (1938), and . (1961) and in turn, Justine Picardie’s biofiction, . (2008). In these, red-haired women are

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The Antipositivism of Critical Theorytory beginning with the story’s origins in Prague, 1580, and theorizes the rise of its popularity during and immediately after World War I. The red-haired golem appears in numerous films as early as 1912 and as recent as 2019. Finally, the chapter gives an in-depth analysis of the symbolism of red h

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The Antipositivism of Critical Theorybversion of sexual mores. Red-haired men and women proliferate Morton’s . (2008) and . (2018), often referring to the redheads in fairy tales, in particular, Grimm Brothers’ version of “Rapunzel,” which this chapter explores. Also discussed (minimally) is Morton’s . (2008).

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F. Bradamante,J.-M. Richard,R. Klapisch (2019) by Jess Kidd. Also examined is Iris in . (2019) by Elizabeth Macneal as a young artist who becomes the Pre-Raphaelite obsession of a criminal whose perversity and taxidermy skills seek to objectify her as art. The chapter will consider how the red-haired nature(s) of these neo-Victorian wome