Titlebook: A Sustainable Theatre; Jasper Deeter at Hed Barry B. Witham Book 2013 The Editor(s) (if applicable) and The Author(s) 2013 America.festival

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Die Ermittlung der indizierten Leistung Nir initial season, Deeter worked his way through the Shaw canon with brilliant productions of . (1934) and . (1935), annual summer festivals celebrating Shaw’s July birthday, and eventually an epic American premiere of the complete . in 1939. His fascination with Glaspell’s ., with its appeal for “ca

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https://doi.org/10.1007/978-3-662-42362-2 Chekhov to the 1946 season. . had always intrigued him because of its rich characters and its deft and deceptive story line, and he was anxious to explore the behaviors that motivated and propelled these charming and failed people. In addition, the small cast, limited interiors, and minimal technic

Anonymous

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https://doi.org/10.1007/978-3-662-29380-5morning and set fire to the theatre. It burned unnoticed until approximately 7:00 a.m. when a passerby alerted the South Media Fire Department of smoke pouring from the building. By 8:30 a.m. the fire was extinguished; the fieldstone exterior walls survived, but the interior was gutted. Blackened be

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傲慢物

https://doi.org/10.1007/978-3-662-29380-5ose Schulman prepared a statement announcing their demise. Dated February 16, 1956, it is brief and blunt. “A s of March we are shut.” . They were $15,000 in debt.

Cantankerous

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https://doi.org/10.1007/978-3-662-26701-1 basis of a large contribution of one person and forty persons with a thousand dollars each,” he remarked, and “when the market crashed, those people were busy learning how to do their own cooking and getting rid of at least all the servants but one, and they had no dollars.”

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2947-5767 n for its famous alumnae (Ann Harding and Richard Basehart), Hedgerow‘s legacy is a living library of over 200 productions created by Jasper Deeter‘s idealistic and determined pursuit of ‘truth and beauty.‘978-1-349-34431-4978-1-137-12185-1Series ISSN 2947-5767 Series E-ISSN 2947-5775