Titlebook: A Poetics of Editing; Susan L. Greenberg Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Publishing.Textual production.Auth

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The Age of Rational Philosophy,ual history, the chapter tracks the shifting fortunes of ideas as they swing between idealism and materialism. In the idealist tradition, the focus is on social and radical constructivism, including approaches identified as critical theory. Greenberg argues that whatever their strengths, this tradit

Indigence

The Age of Rational Philosophy, which editing is taught or studied in some form; in creative writing, for example, an expectation of self-editing is written into the subject benchmark. Greenberg proposes that there is room to develop further the pedagogy of third-party editing in cognate disciplines such as Publishing and a poten

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https://doi.org/10.1007/978-3-662-60895-1id romanticism specific to digital culture which both reflects and creates new forms of alienation, expressed in genres that call for partisanship and strong emotions. In such an environment, editing occupies a strangely central, though negative, position. The chapter considers four characteristic p

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The Age of the Medieval Religions,is is an articulation of principles for a concrete form of making as well a broader perspective on the production of texts. The new poetics, which stands in a close relationship with rhetoric, responds to the need for an interpretive frame that attends to the subject in its own right, accounts for i

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https://doi.org/10.1007/978-3-319-92246-1Publishing; Textual production; Authorship; Genre; Translation; Bordieu; Error; Text

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