Titlebook: A New Gnosis; Comic Books, Compara David M. Odorisio Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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https://doi.org/10.1057/9780230371286one” of myth-making is not a geographical location, as of old, when communities could tell stories in relative isolation, but within the creatives: the artists, filmmakers, dancers, writers….and comic book creators? This chapter argues this to be the case, noting current examples of how authors of c

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The Cosmic Optimism of Post-Axial Religiona, or Vodou, an African diasporic religion in Haiti, Voodoo is a trope of imagined racial and religious otherness. Comics Voodoo – or what I call Graphic Voodoo – comes to the fore in its envisioning of black religion and spirituality as the loci of spectacular figurations of horror and supernatural

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The Cosmic Optimism of Post-Axial Religion influential underground comix creator, contributing to R. Crumb’s legendary ., Griffin was also known for his rock poster art and album covers, including the Grateful Dead’s . album. Griffin was also a genuine seeker, drawing concepts as well as images from esoteric sources like Manly P. Hall’s .,

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Ethical and Aesthetic Meaning and Experienceears. Conversely, nothing comparable has existed for the opposite sex. The aim of the present inquiry is to set out in quest of the missing archetype. I begin by investigating the reasons behind this extraordinary dichotomy: If men have their celebrated Brotherhood archetype, why do women lack an an

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Ethical and Aesthetic Meaning and Experienceho he was and what he represented remained largely elusive when compared to other mythological figures. While it has been argued that the Green Man reflects our oneness with the earth, the psychological possibilities behind such a commonly reappearing archetype remain somewhat unexplored, especially

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