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Titlebook: A History of 1970s Experimental Film; Britain‘s Decade of Patti Gaal-Holmes Book 2015 Palgrave Macmillan, a division of Macmillan Publishe

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樓主: iniquity
31#
發(fā)表于 2025-3-27 00:44:08 | 只看該作者
32#
發(fā)表于 2025-3-27 04:50:46 | 只看該作者
Institutional Frameworks and Organisational Strategies, has found its way to several disciplines and it has been remarkably receptive to multi- and interdisciplinary impulses. Many disaster studies show how important and stimulating it is to explore events and developments which reach beyond the usual business of the social and political fabric. There.
33#
發(fā)表于 2025-3-27 08:57:02 | 只看該作者
Experimental Film and Other Visual Arts, etc..The contributors are the leading scientists in the fie.Flood catastrophes which happened world-wide have shown that it is not sufficient to characterize the hazard caused by the natural phenomenon "flood" with the well-known 3M-approach (measuring, mapping and modelling). Due to the recent shi
34#
發(fā)表于 2025-3-27 11:49:51 | 只看該作者
Visionary, Mythopoeia and Diary Films,oods. This chapter identifies three relevant capacities of resilience: the capacity to resist flooding, the capacity to absorb/recover when a flood event occurs and the capacity to adapt to future risks and transform deliberately. These are to be seen as different views on desired outcomes for flood
35#
發(fā)表于 2025-3-27 14:07:55 | 只看該作者
Experiments with Structure and Material,nd forecasting systems provide a well-established way to help to reduce the effects of flooding by allowing people to be evacuated from areas at risk, and for measures to be taken to reduce damage to property. With sufficient warning, temporary defences (sandbags, flood gates etc) can also be instal
36#
發(fā)表于 2025-3-27 21:22:04 | 只看該作者
37#
發(fā)表于 2025-3-28 00:10:56 | 只看該作者
38#
發(fā)表于 2025-3-28 03:59:55 | 只看該作者
39#
發(fā)表于 2025-3-28 07:33:51 | 只看該作者
Huda Nassar,Kyle Kloster,David F. Gleichas these provide some particularly interesting frameworks for consideration. Thereafter, a range of experimental films will be discussed, focusing on the domestic, the gendered film text, the aesthetics of ephemerality and how history, language and ideology were used to question women’s historically inscribed roles.
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