Titlebook: A History of 1970s Experimental Film; Britain‘s Decade of Patti Gaal-Holmes Book 2015 Palgrave Macmillan, a division of Macmillan Publishe

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Algorithms and Models for the Web Graphon is to integrate films that have not received adequate recognition into the field alongside those that stand as accepted texts. While filmmakers such as Derek Jarman, Ian Breakwell, Jeff Keen, David Larcher, Margaret Tait and Peter Whitehead have been recognised in 1970s histories, this collective

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Michal Dvo?ák,Du?an Knop,?imon Schierreichs experimental filmmaking to become a thriving endeavour by the end of the 1970s. Filmmaker and critic Michael Mazière identified that filmmaking was ‘part of a complex web of support which include [d] education, social context, artists’ organisation, access to technology and the possibility of prop

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https://doi.org/10.1007/978-3-319-26784-5e, literature and diaristic approaches to filmmaking are discussed. Although relationships with the visual arts are also evident, the personal, symbolic or metaphoric use of image tends to be central to many of the films under discussion here. For some filmmakers, such as Margaret Tait, it was merel

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David F. Gleich,Júlia Komjáthy,Nelly Litvak intention of structural and material film was to raise awareness of duration, film material and process, to encourage viewer-reflexivity and demystify the filmmaking process. A focus on the relationships between film content and film form identified that structural filmmaking was ‘often theorised a