| 期刊全稱 | A Cross-Cultural History of Britain and Belgium, 1815–1918 | | 期刊簡稱 | Mudscapes and Artist | | 影響因子2023 | Marysa Demoor | | 視頻video | http://file.papertrans.cn/141/140596/140596.mp4 | | 發(fā)行地址 | Presents a transnational analysis of nineteenth-century British and Belgian literature, culture and art.Analyses periodicals, newspapers and visual material to understand Belgo-British relations.Exami | | 學(xué)科分類 | Britain and the World | | 圖書封面 |  | | 影響因子 | .This book highlights the ways in which Britain and Belgium became culturally entangled as a result of their interaction in the period between the Napoleonic Wars and the First World War. In the course of the nineteenth century, the battlefields of Waterloo and Ypres in Belgium became veritable burial grounds for generations of dead British military, indirectly leading to the most intensive ties between the two countries. By exploring this twofold path, the author uncovers a series of cross-influences and creative similarities within the Belgo-British artistic community, and explores the background against which the British national identity was constructed. Revealing unknown links between some of the most famous artists on both sides of the channel, such as D.G. Rossetti and Jan Van Eyck; Christina Rossetti and Fernand Khnopff; John Millais and Pieter Breughel, and Lewis Carroll and Quentin Massys, the book emphasises an artistic cross-fertilisation that can be found within battlefield literature throughout the nineteenth century, including examples from the likes of William M. Thackeray, Frances Trollope and Charlotte Bront?. Providing a rich intercultural history of Belgo-Britis | | Pindex | Book 2022 |
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