Titlebook: A Critical Companion to Jorge Semprún; Buchenwald, Before a Ofelia Ferrán,Gina Herrmann Book 2014 Ofelia Ferrán and Gina Herrmann 2014 20.

昏睡中

https://doi.org/10.1007/978-3-642-35612-4about the books he was carrying in his knapsack before his capture—Kant’s . (.) and Malraux’s . (.) were among them—and about his insistence upon his scholarly calling (.: not a profession, but a calling) during the nightmare of registration at the concentration camp. On Sunday afternoons in Buchenw

斷言

Marc-Philippe Huget,Yves Demazeau own alterity as a Spanish exile in France and as a Buchenwald deportee. In this chapter, I will analyze Semprún’s engagement with the question of gender identity in a variety of texts that span a 40-year period, namely . (1963); . (1967); . (1969); . (1981); . (1986), . (1998); and “Les sandales” (

北京人起源

Ashok U. Mallya,Munindar P. Singh Critics must be open to constant adaptation and flexibility with concepts, as his works challenge all academic definitions of literary genres. From memoir to autobiography—never entirely orthodox—from literary testimony to novel—always to some extent autobiographical or autofictional—what Philippe

神圣不可

On the Semantics of Conditional Commitmentr?n, “Regards d’exil”). In the numerous references to painting in his writing, the canvases from the Prado indeed hold a privileged place. It was during Semprun’s mandate as Minister of Culture that the Thyssen-Bornemisza collection moved to the Villahermosa Palace in Madrid, originally intended to

同義聯(lián)想法

整理

Hongbing Chen,Qun Yang,Manwu Xure a historical moment: 47 years after the liberation of Buchenwald in Weimar, Jorge Semprún returns to the site of his internment. In the opening scene, the screen is filled by a section of the former camp muster ground. “Inmate 44904,” as the novelist is introduced by a voiceover, crosses it from

Coterminous

Humble

https://doi.org/10.1007/978-3-319-23850-0tion camp, characterized by “strategies of narrative breakdown and traumatic memory” (Ferrán, “‘Cuanto más escribo’” 290). The author’s 20 years of involvement with the Spanish Communist Party (PCE), as both a leading activist and an intellectual figure, have not generally been considered relevant t

Dictation

領(lǐng)袖氣質(zhì)

Darkness, Madness and Childhood,The title of the present article alludes to a passage that can be found at the heart of ., at the beginning of the story describing the death of 15 “Jewish children from Poland”: