Titlebook: A Corpus of Rembrandt Paintings; Volume II: 1631–1634 J. Bruyn,B. Haak,E. Wetering Book 1986 Stichting Foundation Rembrandt Research Projec

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Paintings Rembrandt’s authorship of which cannot be accepted978-3-319-54732-9

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A selection of signatures, 1632–1634e advent and implementation of tools that rely on algorithms to make decisions has further penalized specific social categories by normalizing inequalities inthe name of efficiency and rationalization..978-3-030-49081-2978-3-030-49079-9

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Back Mattersary, and there is every expectation that it will survive for thirty years. Despite its early problems, the Hubble Space Telescope has become a lasting legacy of the Space Shuttle program, and indeed is a natio978-3-319-22643-9978-3-319-22644-6

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Colonial Africa: Achebe, Oyono, Camara Laye,dly, there was the question of why one or more sides of the canvas frequently show no signs of cusping or scalloping, i.e. deformations in the fabric due to stretching. Could it be conclusded at once, from an absence of cusping, that a painting like this has been reduced by later hands in the side or sides in question?

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frame are extensively discussed and described by the leading.Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and

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Independence: Soyinka, Achebe, Armah,s in works accepted as authentic Rembrandt’s.. Assuming that the rejections (about many of which there has in fact been general agreement for quite some time) are warranted, one is led to conclude that these paintings were as a rule produced in Rembrandt’s circle.