Titlebook: Writing and Reading in Henry James; Susanne Kappeler Book 1980 Susanne Kappeler 1980 Henry James.William James.writing

neutral-posture

A linguistic fallacyould be crudely paraphrased as ‘Love’ and ‘Death’,. which in turn means that with the ‘signified’ determined by the genre, the only possibility of originality lies with the ‘signifier’. With these terms we are, however, already in the domain of linguistics.

喚醒

From artist to criticion of this state of affairs — of the intangible ‘work of art’, or of the one-man sacred fount — has come to a head; the theory is fully grown and becomes detached from its author’s mind. A real work of creation cannot remain for ever imprisoned in the subjectivity of its maker who alone watches ove

喪失

978-1-349-05512-8Susanne Kappeler 1980

Mirage

隱士

CLEFT

姑姑在炫耀

時代

Saline

Lament

That frivolous thing an observering for the unknown fourth partner, the narrator is suddenly overcome by a sensation of personal danger, ‘the scared presentiment of something in store for myself’ (p. 75). Admittedly, it is brought about mainly by his rash involvement of others in his happy pursuit, the particular threat of which he comes to realise more sharply: