Titlebook: Writing Pynchon; Strategies in Fictio Alec McHoul,David Wills Book 1990 Alec McHoul and David Wills 1990 fiction.Jacques Derrida.literary t

與野獸博斗者

978-0-333-51509-9Alec McHoul and David Wills 1990

Adornment

1FAWN

明智的人

Aggressive

Telegrammatology,such fragments. Excluded middles being ‘bad shit’ (136) is a case in point (and of course we have not failed to use it either). The ‘direct, epileptic Word’ (87) is another. The ‘hieroglyphic streets’ (136) are a third. But the list is longer.

Texture

V,ry’. For a start, V. is always absent, hinted at, forced into a shadowy (non-) existence in the way Bowie mimes out a glass cage which is not ‘there’. V.: she/it is pure signifier — the (as we used to say) conscious pure effect of signification.

disparage

Fall out, … some might call it a fable, then, a pure invention: in the sense in which it is said that a myth, an image, a fiction, a utopia, a rhetorical figure, a fantasy, a phantasm, are inventions’.. So we begin with our own nuclear fable, or, you might say, our limited nuclear engagement.

Expressly

同義聯(lián)想法

Introduction,h at the (other) end of the book. At least, that’s how things ought to fall. But then there is always the risk, the hope even, that the leaves contained between the bookends will, in another sense, fall out, spill beyond their confines, arriving at unforeseeable destinations. More specifically, howe

myopia

and the post-rhetorical,the first hundred pages, like Leverenz.. A Sydney film critic and feminist friend thought it was pretentious to be seen with a tattered copy at an academic conference and was surprised to meet someone who had not only actually read it but was almost through a second time. We thought the novel merite