Titlebook: Writing Musical Theater; Allen Cohen,Steven L. Rosenhaus Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2006 opera.theatr

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The Libretto the . of the show as a whole. It also specifies the relations between the scenes and the songs: what is spoken, what is sung, and what is danced, as well as the order of scenes. In the words of Peter Stone, author of the librettos of . and many other shows, “a musical book is, in one word, ..”

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The Lyricsll-constructed their lyrics are likely to be. And the better their command of language, the greater the variety of people for whom they can write appropriate lyrics. A lyricist who stopped learning in high school might be able to write lyrics for Babe Ruth to sing, but not for Albert Einstein.

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Writing the Scorees it’s useful to try a song at an early stage, just to get the “feel” of the characters and the show, but in that case you need to keep in mind that your song is an exercise and may not end up in the show.

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