Titlebook: Writing Landscape and Setting in the Anthropocene; Britain and Beyond Philippa Holloway,Craig Jordan-Baker Book 2024 The Editor(s) (if appl

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Disturbing the Weather: How Women Have Been Written and Viewed in Nature and Placeritten into our pre-industrial history, and the use of the feminine wherever land is recalled, named and given to shared memory, shows gendered associations with land. Yet, in my own practice, a more authentic relationship to land and landscapes is explored in my use of settings, and through this, t

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Poetic Mycography and Mycelial Dérives in John Cage: Towards an Ecocentric Creative Practicees and aleatoric paths through textual matter emerge..This chapter is a creative-critical autoethnographic negotiation between the anthropocentric self, or ego, the natural world, and underground and unseen ecologies. As Sheldrake puts it, ‘we are all entangled’ (.). It is this co-dependant entangle

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Radiation, Ruins and the Post-Apocalyptic Stories: The Chornobyl Landscape in S.T.A.L.K.E.R.e book and film, but placed the game in the Chornobyl Zone of Alienation. Since the release of S.T.A.L.K.E.R., there are now dozens of video games set in the Chornobyl Zone..The ways in which the ‘Zones’ of . and . could be considered prescient for the Chornobyl Zone, and ways in which the landscape

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