Titlebook: Writing Ecofiction; Navigating the Chall Kevan Manwaring Textbook 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lic

Water-Brash

outskirts

Going Beyond What You Knowelational over the discretism of Object-Orientated Ontology. Going ‘beyond your geography’ and ‘beyond your temporality’ is encouraged. The issue of cultural appropriation will be raised. Finally, ‘Spores’ will offer suggested writing activities; and ‘Mycelia’ connections to other writers, texts, and resources.

震驚

Voices of the Global Majorityigenous rights, and post-colonial considerations—perspectives that have problematized the Anthropocene. How can approaches that eschew the heteronormative, neuronormal, and the specter of ‘white privilege’ help to defamiliarize nature writing?

冥界三河

lethargy

Introduction habitat loss, food and water security, acidification, deforestation, etc.)—before an attempt is made to establish the territory by considering the terms of ‘nature writing’, ‘place-writing’, and ‘ecofiction’. The two main streams that have influenced ecofiction (the novel and nature writing) will b

Aids209

The Ground Beneath Your Feetof the local (what has been called ‘deep mapping’; or ‘deep place’). Beginning with intimate focus on the body—our own personal .—we’ll slowly extend our focus to the immediate locality, from the doorstep to the nearest park. There will be close attention given to the senses, to acts of perception.

defray

Instrumental

Voices of the Global Majoritys from across the globe. Also, this chapter considers an essential area that all writers of conscience must engage with: the ethics of representation. Every writer needs to consider their position regarding ‘cultural appropriation’. What could be called ‘The Lionel Shriver position’ will be consider

maudtin

柔軟

Shaping a World in Fluxcal tension, and ‘shifting baseline syndrome’ is this even possible? We consider the challenges of . material. We’ll look at the fundamentals of workshopping, adopting a myco-culinary approach: baking. Next, we’ll consider form, with an especial emphasis on ‘found structure’ and bio-mimicry—finding