Titlebook: Wordsworth’s Vital Soul; The Sacred and Profa J. R. Watson Book 1982 J. R. Watson 1982 epic.fiction.George Eliot.lyric.poem.poet.poetry.Ten

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Man in Society — the Poetry of Reformy in the Salisbury Plain poems, and the ‘Imitation of Juvenal’, with its attack on the rottenness and corruption of public life. But before considering the Salisbury Plain poems in detail, it is necessary to look at the remarkable circumstances of their composition. The story is well known: how Word

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Man in Society: Creative and Uncreative Separationience; and the individual’s responsible use of that freedom, in his relation with the society in which he lives. When that society is in need of reform, the individual is seen as struggling to maintain the integrity of his beliefs and behaviour in the face of inimical conditions. The state of late e

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: Dialogue and Sufferinguch as ‘Simon Lee’, ‘The Thorn’, ‘The Idiot Boy’ and ‘Goody Blake and Harry Gill’, Wordsworth is exploring the relationship of the marginal individual to the society which surrounds him. In the earliest-written poem of the collection,. ‘The Convict’ (never reprinted after 1798) an individual is sepa

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: Time, Place and Nature ‘outrageous’,. and if its meaning is paraphrased it certainly seems to be so. It is true that the stanza appears in a somewhat jocular poem: the title, ‘The Tables Turned’, suggests a certain amount of japing, and the tone of the first verse seems facetious and exaggerated:

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The Stability of Homelove of home life, of domestic peace and harmony, is a natural consequence of the instability of his childhood. Book IV of . is concerned with a return to the only home which the poet had known since infancy, and as early as . Wordsworth was imagining a home with Dorothy, a distant scene of simple h

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The Lucy PoemsDorothy, or Mary Hutchinson. Wordsworth’s silence on the subject is of great interest, particularly as he was usually ready and forthcoming with information about his poems; not because this silence suggests a concealed love-affair, but because of the way our lack of knowledge about the identity of Lucy affects any reading of the poems.