Titlebook: Words, Music, and the Popular; Global Perspectives Thomas Gurke,Susan Winnett Book 2021 The Editor(s) (if applicable) and The Author(s), u

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Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular,versial classical-popular binary benefit from understanding borders as flexible spaces of intermedial and cultural-historical meaning-production. The first example—Richard Powers’s novel . (2014)—engages the border between so-called classical and popular music from the perspectives of music history,

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Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretatwere hypothesized to affect the popularity of a song in specific ways. Therefore, I have tested the effect of formal irregularities and amplification on the appreciation and the interpretation of two Bob Dylan songs in a small natural experiment (an analysis of various renditions available through Y

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PJ Harvey as a Modern War Poet: How , Challenges ‘English England’ Through the Pastoraltorical or fictional events from the First World War. It might strike the listener as odd that an album focusing on a conflict long gone, can “[chime] so uncannily and powerfully with the times” (Troussé, PJ Harvey on) ., poetry and her career: I was quite prepared to fail.” . .. Accessed 4 Oct 2020

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A Melopoetic Struggle between East and West: Mickiewicz and the Popular Idiomhe writer Andrzej Stasiuk with parts sung in Ukrainian. This chapter offers a reading of the album in light of its literary sources in Polish and Ukrainian Romanticism and of its historical context, showing a melopoetic tradition of folksong’s political force to which both Mickiewicz and Haydamaky s

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Café-Concert Parodies of , (Wagner) and , (Verdi) in the Context of Popularisation Efforts of the Opof the repertoire at a time when the Opéra increasingly wanted to open up to lower social classes. The wide success they enjoyed is also evident in various parodistic adaptations of which . and . were among the most popular. It is therefore surprising that the influence of the genre of parody on the