Titlebook: Women‘s Worlds; Ideology, Femininity Ros Ballaster,Margaret Beetham,Sandra Hebron Textbook 1991Latest edition Macmillan Publishers Limited

贊美

書目名稱Women‘s Worlds影響因子(影響力)




書目名稱Women‘s Worlds影響因子(影響力)學(xué)科排名




書目名稱Women‘s Worlds網(wǎng)絡(luò)公開度




書目名稱Women‘s Worlds網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Women‘s Worlds被引頻次




書目名稱Women‘s Worlds被引頻次學(xué)科排名




書目名稱Women‘s Worlds年度引用




書目名稱Women‘s Worlds年度引用學(xué)科排名




書目名稱Women‘s Worlds讀者反饋




書目名稱Women‘s Worlds讀者反饋學(xué)科排名

anticipate

Textbook 1991Latest editionthe genre, and its part in the historical process of forging modern definitions of gender, class and race are analysed through critical readings and a discussion of readers‘ negotiations with the contradictory pleasures of the magazine, and its constricting ideal of femininity.

PAN

PRISE

Theories of text and culture,ine. The heterogeneity of the magazine form, then, has its limits. Certain solutions and conclusions that might result from its representation of heterosexual relations are clearly not meant to be drawn. How does the women’s magazine demarcate and delimit its own ‘reading’ of femininity?

Cytology

調(diào)情

Dappled

Introduction, the knowledge that this pleasure is by no means pure, unambiguous or unproblematic. The magazine is for us both an object of academic interest and an object of consumption. Reading women’s magazines can have exactly the same kind of effect as eating two or more bars of chocolate — the original crav

強(qiáng)制性

Theories of text and culture, the magazine is one in which men and women are eternally in opposition, always in struggle, but always in pursuit of each other; relations between them are beset by difficulty, frustration and failure. Yet, possible solutions like the dissolution of two exclusive and opposed gender categories, or t

寵愛

,Nineteenth-century women’s magazines,century later. By the mid-1870s there was a well-established sector of the magazine press explicitly targeted at women readers. Still small by modern standards, it grew rapidly in the next thirty to forty years. At least fifty new titles appeared between 1870 and 1900, and although some were shortli

Compatriot

,1914 to 1988: twentieth-century women’s magazines,ers and their successors in the 1980s, which form the subject of our next. Our concern is to show how the patterns laid down in the past help to shape the modern women’s magazine, and also how it has departed from them. Here, as elsewhere in this book, we are limiting our discussion to commercial ma