Titlebook: Women, Pleasure, Film; What Lolas Want Simon Richter Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 film.gender.women

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the femmefatale. Lola embodies a recognizable set of characteristics through which overtime a select group of directors, actors, and audiences have responded in waysthat do not succumb to the imperatives of gender. There are over thirty-fiveLola films, starting with Marlene Dietrich in The Blue Ang

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c and enduring aspect of theearly twentieth-century "new woman": woman‘s forthright claim to pleasure on herown terms, liberated, if only as a cinematic fantasy, from the usual constraintsof sex and gender..978-1-137-30973-0

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舉止粗野的人

happiness

適宜

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“Bracketing” Our Prejudices: What Is the Phenomenological Reduction? the “non-ego state of the mind” that we saw at the end of Chapter .. In this chapter, we will first compare zazen and the phenomenologicalreduction by looking at the descriptions of the German philosopher, Eugen Herrigel (1884–1955), who, by becoming one with the breath, was able to realize “no-min