| 書目名稱 | Women, Performance and the Material of Memory | | 副標(biāo)題 | The Archival Tourist | | 編輯 | Laura Engel | | 視頻video | http://file.papertrans.cn/1031/1030528/1030528.mp4 | | 概述 | Engages strategies for considering archival materials through the lens of performance.Argues that the performance of archival research is related to the experience of tourism, where an individual imme | | 圖書封面 |  | | 描述 | .This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.. | | 出版日期 | Book 2019 | | 關(guān)鍵詞 | Performance theory; Archive theory; tourism theory; Elizabeth Inchbald; Thomas Lawrence; Women and touris | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-58932-3 | | isbn_ebook | 978-1-137-58932-3 | | copyright | The Editor(s) (if applicable) and The Author(s) 2019 |
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