Titlebook: Women At Sea; Travel Writing and t Lizabeth Paravisini-Gebert,Ivette Romero-Cesareo Book 2001 Palgrave Macmillan, a division of Nature Amer

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Colonizing the Self,into Latin America’s emergence from colonial status to nationhood. Sylvia Molloy, in ., maintains that the autobiographical works of these new nations became a form of historical account, a personalized insertion of the authorial I/(eye) witness in the historical process. Thus, the personal, private

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Travels and Identities in the Chronicles of Three Nineteenth-Century Caribbean Women, a scholarly discipline—not only professional obligations but above all political and ideological commitments. During the last three years I have dedicated my research to the investigation of the autobiographical discourses of Puerto Rican and Cuban women of the nineteenth and twentieth centuries, f

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Journeys and Warnings,rrible as she looked out to sea. A freeborn African American woman from Massachusetts who had worked as a domestic and had been a part of Boston’s tight-knit black community, Prince was about to leave the United States for the first time. Her experiences as a traveler—narrated in two travelogues and

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Book 2001bean territory. Yet these experiences rarely surface in the increasing body of critical literature on women s travel writing, which has focused on European or American women traveling to exotic locales as imperial subjects. This stellar collection of essays offers a contestatory discourse that embra

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g of Caribbean territory. Yet these experiences rarely surface in the increasing body of critical literature on women s travel writing, which has focused on European or American women traveling to exotic locales as imperial subjects. This stellar collection of essays offers a contestatory discourse

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