Titlebook: Women Writing Fancy; Authorship and Auton Maura Smyth Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Fancy.Women‘s Writing.

漏出

書目名稱Women Writing Fancy影響因子(影響力)




書目名稱Women Writing Fancy影響因子(影響力)學(xué)科排名




書目名稱Women Writing Fancy網(wǎng)絡(luò)公開度




書目名稱Women Writing Fancy網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Women Writing Fancy被引頻次




書目名稱Women Writing Fancy被引頻次學(xué)科排名




書目名稱Women Writing Fancy年度引用




書目名稱Women Writing Fancy年度引用學(xué)科排名




書目名稱Women Writing Fancy讀者反饋




書目名稱Women Writing Fancy讀者反饋學(xué)科排名

過于光澤

Extricate

Interstellar

因無茶而冷淡

Maura SmythRevitalizes an important but dismissed trope in literary history and the history of gender studies.Examines a wealth of source material including works by Margaret Cavendish, Aphra Behn, Delarivier Ma

Wordlist

Audiometry

Margaret Cavendish’s Fashioning of Fancyiful threads in Hobbes and Milton’s texts. She simultaneously casts herself as a monarch (“Margaret the First,” ruler of the Blazing World) and as a kind of Eve (a “happy creatoress”), all under the sign of Fancy—thereby herself becoming its personification.

absolve

Going Undercover with Aphra Behn’s “Female Pen”iantly deploys it through the geographical appropriation of the real place of Surinam, which she represents as a place of abundant Fancy. Behn grants her narrator the ability to illuminate these spaces, thus developing the specifically female narrative voice for what will become the novelistic imagination.

易怒

strdulate

Afterword: Fancy and the Tinctures, Tones, and Flavors of Historyistoriography, Barbauld seeks to shape her readers’ critical insight through attention to the subtle sensory qualities of tincture, tone, and flavor so that they may glimpse these fanciful, oft-unnoticed spaces across time.