Titlebook: Women Writers and Experimental Narratives; Early Modern to Cont Kate Aughterson,Deborah Philips Book 2021 The Editor(s) (if applicable) and

CHARY

書目名稱Women Writers and Experimental Narratives影響因子(影響力)




書目名稱Women Writers and Experimental Narratives影響因子(影響力)學(xué)科排名




書目名稱Women Writers and Experimental Narratives網(wǎng)絡(luò)公開度




書目名稱Women Writers and Experimental Narratives網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Women Writers and Experimental Narratives被引頻次




書目名稱Women Writers and Experimental Narratives被引頻次學(xué)科排名




書目名稱Women Writers and Experimental Narratives年度引用




書目名稱Women Writers and Experimental Narratives年度引用學(xué)科排名




書目名稱Women Writers and Experimental Narratives讀者反饋




書目名稱Women Writers and Experimental Narratives讀者反饋學(xué)科排名

LINE

,Experiment in Prose: Authority and Experience in Lady Mary Wortley Montagu’s Letters, for posthumous publication. In it Montagu uses the epistolary form to make?cross-cultural comparisons of the customs, fashions and routines of women’s lives in different locales, and to develop fresh ideas about women’s decorum for a new age. She suggests that the epistolary form itself posits new ways of thinking about?women’s history.

有偏見

Loathe

著名

Introduction,woman of colour to be so recognised—but both Atwood and Evaristo were writing experimental fiction. Their work makes use of multiple voices, disturbed fixed oppositions of gender and ethnic identity and of sexuality and made use of fractured narrative structures to represent the complexities of wome

真實(shí)的你

AMBI

思想上升

growth-factor

Genre-Bending and Experimentation in Sensation Fiction: The Case of Mary Braddon and Ellen Wood,he dominant discourses of realism while simultaneously challenging those discourses. As such it makes an excellent case study to consider how genre fiction by women experiments with genre-bending to challenge dominant models of gender identity..Deborah Wynne has noted that from 1850 to 1860 there wa

Debark

,The Ironic Strategies of Kate Chopin’s ,e chapter (building on previous critical works by Elaine Showalter, Patricia Yaeger, Sandra Gilbert, Cynthia Wolff, etc.) will start from what we can learn about the exact nature of the protagonist’s and the novel’s transgressiveness from the almost uniformly hostile contemporary reviews, one of whi