Titlebook: Wilkie Collins and Other Sensation Novelists; Walking the Moral Ho Nicholas Rance Book 1991 Nicholas Rance 1991 fiction.naturalism.novel

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,‘Wilkie! Have a Mission’: The Demise of Sensation Fiction,a decline in scope and quality from the fiction of the 1860s as a paradigm of the demise of sensation fiction. There remains much truth in Algernon Swinburne’s explanation of the ‘perdition’ of the genius of Collins in terms of his developing a ‘mission’:

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Introduction,rescue the term from pejorative connotations which have clung to it, and particularly such as would tend to assimilate sensation fiction to melodrama. The best sensation novels, I suggest, derive their effects from subverting a diversity of early and mid-Victorian ideologies, but particularly the id

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,The Sensation ‘School’,an Le Fanu. To an overwhelming extent, however, the literary school which Collins inaugurated was a rebuff to his radical sensationalism. The effects of the conservative sensationalists who followed Collins are derived not from implying the relativity of rules and conventions but from intimating the

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,‘Wilkie! Have a Mission’: The Demise of Sensation Fiction,purely literary history. This chapter is preoccupied less with discussing Collins’s later fiction for the sake of completeness as regards the career of the particular novelist, than with using the somewhat notorious case of the later fiction and what has been almost unanimously perceived therein as

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Conclusion: Sheridan Le Fanu and Sensation Fiction,h Wilkie Collins’, denied with asperity both that he himself was a sensation novelist and, more radically, that there was any such thing as a sensation school of the 1860s. In the ‘preliminary word’ to ., the novel for which he is now chiefly remembered (along with . ., the collection of five tales