Titlebook: Wide Sargasso Sea at 50; Elaine Savory,Erica L. Johnson Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license

Morbid

Who Writes for the Trees?: ,, the Dominican Forest, and Its Parrotsrests to the ecology and wholeness of her home island of Dominica is on display in her last novel. This chapter reads . alongside Rhys’s correspondence late in her life with her Dominican compatriot Phyllis Shand Allfrey, an activist for political and environmental issues on the island.

新星

確定的事

強(qiáng)制性

“I so wanted to hand Emma a copy of ,”: , and Contemporary Re-workings of ing platforms—in its account of the conjoined afterlives of these texts in contemporary literary culture. The shift to digital platforms has offered authors greater scope to elucidate the multiple strands of reference, influence and authority that tie their texts to those of Rhys and Bront? and render reader responses immediate and visible.

Desert

Encryption as Transmission: The Secret Gardens of y, in the descendent. Rhys’s influences occupy her novel as secrets and include Frances Hodgson Burnett’s . (1911) and Daphne du Maurier’s . (1938). Beyond looking at intertextuality as such, we focus on the unique mode of literary influence that Rhys models through her encryption of the (violent) secrets of other women’s writing.

嬉耍

生意行為

#Metoo in laims of victimization. In light of the impasse reached by anti-rape discourse today, this line of inquiry will work toward the theorization of the necessary imbrication of agency, rape, gender and race.

貿(mào)易

CLAM

缺乏

2691-3011 ne inspired by the novel, and new critical directions. As both a celebration and scholarly evaluation, the collection shows how enduring Rhys’s novel is in its continuing literary influence and social commentary.? .978-3-030-28225-7978-3-030-28223-3Series ISSN 2691-3011 Series E-ISSN 2634-5196