Titlebook: Why Are We Attracted to Sad Music?; Sandra Garrido Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 philosophy.aesthetics.em

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rtaken in the field of health by the author.Empirical approa.In this book, perspectives in psychology, aesthetics, history and philosophy are drawn upon to survey the value given to sad music by human societies throughout history and today. Why do we love listening to music that makes us cry? This m

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Listening Context: Group Rumination and Emotional Contagion,c on depression are presented. Garrido here argues that while certain genres of music or their associated subcultures can provide useful sources of support and catharsis for troubled youths, group rumination and emotional contagion can amplify negative effects in some vulnerable individuals.

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Book 2017nce our experience of sad music, its impact on our mood and mental health, and its usefulness in coping with heartbreak and grief. By means of real-life examples, this book uses applied music psychology to demonstrate the implications of recent research for the use of music in health-care and for wellbeing in everyday life..

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What Is Sad Music?,In this chapter, Garrido covers some of the theoretical conundrums inherent in discussing the concept of ‘sad music’, as well as looking at the biological, personal and cultural mechanisms involved in the perception and experience of music as sad.

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Individual Differences in the Attraction to Sad Music,sociation Theory of Emotion in Aesthetic Contexts (DTEAC). Garrido also presents evidence suggesting that people with tendencies to rumination and depression may be attracted to sad music despite the fact that listening to it does not always have positive effects on their mood.

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Musical Prescriptions: Do They Work?,sion. Literature surrounding the use of music with people with depression is surveyed and the results of an experiment presented, which indicates the benefit of awareness-raising programmes in changing long-term music listening habits.