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Titlebook: (Counter-)Archive: Memorial Practices of the Soviet Underground; Klavdia Smola,Ilya Kukulin,Annelie Bachmaier Book 2024 The Editor(s) (if

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21#
發(fā)表于 2025-3-25 03:39:19 | 只看該作者
Translating Moscow Conceptualismted during 1977-78 in the Department of Engineering Sciences and Applied Mathematics, Northwestern University. Most of the students were in their second year of graduate study, and all were familiar with Fourier series, Lebesgue integration, Hilbert space, and ordinary differential equa- tions in fi
22#
發(fā)表于 2025-3-25 09:03:50 | 只看該作者
Wonders and Curiositiese components of a Memristor and adaptive synchronization in .Nonlinear Systems and Methods For Mechanical, Electrical and Biosystems presents topics observed at the 3.rd. Conference on Nonlinear Science and Complexity(NSC), focusing on energy transfer and synchronization in hybrid nonlinear systems.
23#
發(fā)表于 2025-3-25 13:56:52 | 只看該作者
Klavdia Smola,Ilya Kukulin,Annelie BachmaierFocuses on the archive as a form of art employed by various groups of the late Soviet underground.Aims to approach old archival materials related to the Soviet cultural underground on a meta-level of
24#
發(fā)表于 2025-3-25 19:25:24 | 只看該作者
25#
發(fā)表于 2025-3-25 22:11:00 | 只看該作者
Weibo Huang,Zhenpeng He,Xiaodan LiThis essay is about archival activity and archival institutions that I (co)created in Leningrad and later in Petersburg. I tell the history of the Petersburg Archive and Library of Independent Art (PAiBNI) at the Pushkinskaia-10 Art Center, among other memorial institutions, and reflect on artistic archival work as an archeology of garbage.
26#
發(fā)表于 2025-3-26 03:22:25 | 只看該作者
https://doi.org/10.1007/978-3-031-67133-3counter-archives; Archive; Soviet history; self-archiving; Memory; suppressed memory; Slavic studies; unoff
27#
發(fā)表于 2025-3-26 07:15:35 | 只看該作者
978-3-031-67135-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
28#
發(fā)表于 2025-3-26 09:10:55 | 只看該作者
29#
發(fā)表于 2025-3-26 16:09:32 | 只看該作者
https://doi.org/10.1007/978-3-031-56521-2d his peers did not pursue publicity for their creative output and were in constant hiding from the authorities both before and after the collapse of the Soviet Union. In this chapter, however, I am less interested in Azazello as the creator of an archive but aim to explore his archive as a protagon
30#
發(fā)表于 2025-3-26 18:44:04 | 只看該作者
Advances in Hardware Design and Verificationsongs and oral memories in the Brezhnevian USSR, at a time when Gypsy folklore was rediscovered and reintegrated into official culture. Perestroika and the collapse of the Soviet Union made it possible to clarify the sociological context of these sound archives, notably through the use of black lite
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