Titlebook: When Music Takes Over in Film; Anna K. Windisch,Claus Tieber,Phil Powrie Book‘‘‘‘‘‘‘‘ 2023 The Editor(s) (if applicable) and The Author(s)

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取之不竭

口訣

Palgrave Studies in Audio-Visual Culturehttp://image.papertrans.cn/w/image/1027893.jpg

基因組

https://doi.org/10.1007/978-3-030-89155-8Film; Music; Cultural Studies; Audiovisual Narratives; Media Studies; Open Access

贊成你

Dark Times: Fabulation, Synchrony, and the Musical Moment Reprised of Gilles Deleuze and Henri Bergson, the musical moment is read through three contemporary case studies: Andrea Arnold’s .(2016), Hiro Murai’s music video for Flying Lotus and Kendrick Lamar’s ‘Never Catch Me’ (2014), and Barry Jenkin’s. (2016).

賄賂

Anna K. Windisch,Claus Tieber,Phil PowrieCombines and updates several of the most recent key theoretical approaches and discourses in film music research.Extensive coverage of the topic of ‘musical moments‘ in global cinemas.Will appeal to b

Evocative

The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinemagets more obvious during these moments. This chapter?argues that these two tendencies are closely connected and that their potential to destabilise the form and style of a film must be seen in the sociopolitical context of post-monarchy Austria, and within the precariousness of social values of the time.

扔掉掐死你

The Afterlife of Continental Romance: Musical Moments in Ichikawa Kon’s , (1949) and , (1951)enade’) and ‘Ieraishan’ (‘Fragrance of the Night’), featured in . and ., respectively, form musical moments that highlight the tension between the sensorial appeal of the doomed romance rooted in the imperial past and the disbelief in the sustainability of such romance in early post-war Japan.

cultivated

From Unheard to Meaningful: When Music Takes Over in Film,music ‘takes over’ and the surreal often becomes the accepted filmic reality are examined in reference to two recent theoretical approaches: ‘musical moments’ (Amy Herzog) and ‘crystal songs’ (Phil Powrie). Divided up into four parts, the book’s chapters apply these two differing but overlapping the

Cerumen

Dark Times: Fabulation, Synchrony, and the Musical Moment Reprised of Gilles Deleuze and Henri Bergson, the musical moment is read through three contemporary case studies: Andrea Arnold’s .(2016), Hiro Murai’s music video for Flying Lotus and Kendrick Lamar’s ‘Never Catch Me’ (2014), and Barry Jenkin’s. (2016).