Titlebook: What Is Zoopoetics?; Texts, Bodies, Entan Kári Driscoll,Eva Hoffmann Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Symbol.

CLASH

“‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Prodh says that fables are solely about humans and not about animals—with a consideration of .. When the animal fable included in Kleist’s essay is analyzed along those lines, it becomes obvious that the fox is paradigmatic, not only as a poetological figure, but also as a political figure.

Glycogen

暴發(fā)戶

Impersonal Love: ,’s Poetics of Mournful Entanglement who considers death from the point of view of impersonal life, and Jacques Derrida and Cary Wolfe, who by valuing vulnerability and finitude across species lines accord the discrete being primacy, .’s poetics of entanglement, Meedom argues, promotes a traumatic expansion of personal life into the impersonal.

corpus-callosum

Between Encounter and Release: Animal Presences in Two Contemporary American Poemsrom signaling the speaker’s willingness to give up on relating to or willingness to give into vague celebrations of difference, these gestures are supported by processes of self-scrutiny that acknowledge the precarity of relating.

幸福愉悅感

“You Cannot Escape Your Moles”: The Becoming-Animal of Günter Eich’s Late Literary Textss cocomplicit in abusive power systems, as well as how animality in/as text enables a kind of writing that transcends power discourses and offers us a “l(fā)ine of flight” as postulated by Deleuze and Guattari.

抱狗不敢前

逗留

The Light That Therefore I Give (to): Paleonymy and Animal Supplementarity in Clarice Lispector’s ,nd making possible the differentiation between evolutionary stages. Piskorski believes arche-animality is located in the poetics of light and dark prefigured in the title and in the novel’s concern with temporality and mortality.

裝飾

“Constituents of a Chaos”: Whale Bodies and the Zoopoetics of ,-,iates the anxieties about racialized bodies that pervaded American culture in the first half of the nineteenth century, which are inextricable from anxieties about how nonhuman bodies should be interpreted.

hedonic

Myth, Absence, Haunting: Toward a Zoopoetics of Extinction studies, Sheehan questions the disappearing literary-poetic animal and whether its passage from the physical world to the realm of pure language is stymied or quickened by the mandates of appropriation.

AGOG