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Titlebook: What Develops in Emotional Development?; Michael F. Mascolo,Sharon Griffin Book 1998 Springer Science+Business Media New York 1998 cogniti

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21#
發(fā)表于 2025-3-25 05:31:00 | 只看該作者
Terrance Brown,Arnold Kozakourse of the nineteenth-century agitations in Britain. The advancement of ‘women’ must always take its tone from the differing backgrounds out of which their candidacy is to be prised; it is never possible for ‘women’ to be amassed as completely unshadowed subjects.
22#
發(fā)表于 2025-3-25 09:27:22 | 只看該作者
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發(fā)表于 2025-3-25 12:15:52 | 只看該作者
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發(fā)表于 2025-3-25 19:02:54 | 只看該作者
25#
發(fā)表于 2025-3-25 20:27:02 | 只看該作者
Jaak Panksepp,Brian Knutson,Douglas L. Pruitt noch je nach der Kulturstufe und den Lebensverh?ltnissen der einzelnen Rassen und V?lker und bei den Angeh?rigen eines Volkes wieder nach ihrer Lebenslage, Bildungsstufe, religi?sen Anschauungen und anderen Momenten.
26#
發(fā)表于 2025-3-26 02:48:24 | 只看該作者
27#
發(fā)表于 2025-3-26 04:44:25 | 只看該作者
28#
發(fā)表于 2025-3-26 10:29:18 | 只看該作者
Differential Emotions Theory and Emotional Development their links to one another undergo remarkable change over time, to be sure, as do system organization and articulation. The core processes in emotional development, however, consist of the construction and consolidation of affective—cognitive structures, which mediate intersystem coordination of the emotions, cognitive, and motor systems.
29#
發(fā)表于 2025-3-26 15:34:47 | 只看該作者
Michael F. Mascolo,Debra Harkins’ were applied to sixteenth-century commercial playhouses. In doing so, it contextualises the early seventeenth-century emergence of the term ‘private’ in the discourse of commercial theatre. For the second set of indoor companies, the term appeared an attractive way of differentiating themselves from the ‘public’ playhouses.
30#
發(fā)表于 2025-3-26 20:27:48 | 只看該作者
Emotion and the Possibility of Psychologists Entering into Heavenan essential, if not always explicit, role. In virtually every text we have examined, emotion is assumed, mistakenly and unscientifically, to be a term that is mutually understood (cf. Quine, 1960) or, attempting to foil the gods much space is devoted to the problem of definition. That is where our story starts.
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