Titlebook: ?i?ek and Performance; Broderick Chow,Alex Mangold Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 comedy.id

委屈

AUGUR

空洞

,Getting Involved with the Neighbour’s Thing: ?i?ek and the Participatory Performance of Reactor (UKomains with techniques such as scanning force microscopy, polarized light microscopy, scanning optical microscopy, electron microscopy, and surface decorating techniques..."Domains in Ferroic Crystals and Thin Films" covers a large area of material properties and effects connected with static and dy

玩忽職守

Asymptomatic

,Theatre’s Immediacy: Notes on Performing ‘with’ ?i?ek,rvers of the most sensational parts of the narrative. There is a general underlying assumption that the explicit transmission of sensational material is within the servants’ province, and that they may actively complicate and extend such sensationalism.

稀釋前

Collaboration, Violence, and Difference, developed from Gorbachev’s reform program itself; national minorities have used their increased rights of political self-expression to demand the ‘reconstruction’ of the power relationships between the dominant and dominated nationalities of the USSR. For now this problem is centered in the Baltic

窗簾等

Notes on Performing, Its Frame, and Its Gaze, become a symbol of Islamic fundamentalism, oppression, and anti-Westernism, and the group formation of Islamitic social actors in specific contexts has become overdetermined as an index of criminal intentionality and extremism. Against these ideological misapprehensions, one should, in the case of

Opponent

peak-flow

Jeffrey I. Bernstein,M. Ishaq Nadirige includes an acknowledgement that speech involves social coordination with a normative dimension, as well as information exchange in the interests of referential descriptions of things in the world. Going beyond language pragmatics, though, including theories of communicative action, recognition o

excrete

A Class of Dynamic Demand Systems symptom is that which reminds us of the Real. If fantasy further functions as the screen which tries to suppress the Real, then the symptom is the embodiment of .; it is the way in which the Real comes back to disturb our fantasy of consistency or harmony. It is for this reason that ?i?ek looks at