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Titlebook: Weimar Film and Modern Jewish Identity; Ofer Ashkenazi Book 2012 Ofer Ashkenazi 2012 Adolf Hitler.film.Judaism.Weimar

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發(fā)表于 2025-3-21 16:09:03 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Weimar Film and Modern Jewish Identity
編輯Ofer Ashkenazi
視頻videohttp://file.papertrans.cn/1022/1021990/1021990.mp4
叢書(shū)名稱(chēng)Studies in European Culture and History
圖書(shū)封面Titlebook: Weimar Film and Modern Jewish Identity;  Ofer Ashkenazi Book 2012 Ofer Ashkenazi 2012 Adolf Hitler.film.Judaism.Weimar
描述In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous ‘German-Jewish symbiosis‘ before the rise of Nazism, as well as a new framework for the understanding of the German ‘national‘ film in the years leading to Hitler‘s regime.
出版日期Book 2012
關(guān)鍵詞Adolf Hitler; film; Judaism; Weimar
版次1
doihttps://doi.org/10.1057/9781137010841
isbn_softcover978-1-349-34419-2
isbn_ebook978-1-137-01084-1Series ISSN 2945-6274 Series E-ISSN 2945-6282
issn_series 2945-6274
copyrightOfer Ashkenazi 2012
The information of publication is updating

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,The Jews Have No Shame: The “Jewish Tragedy” in Weimar Urban Comedies, of the film answers the worst stereotypes associated with Jewish appearance, behavior, and values: the greedy husband loses his fortune in a card game and dishonorably escapes from his debtors without even notifying his wife; his best friend, a scrawny, childish man—displaying a giant “Jewish” nose
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發(fā)表于 2025-3-22 04:34:28 | 只看該作者
Weimar Film and Jewish Acculturation,In depicting the nature of Jewish integration in modern Germany, scholars have traditionally oscillated between portrayals of “symbiotic” and “submissive” relationships, differing primarily in their answer to the question whether Jews contributed . to the German public discourse, or rather relinquis
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A Man in ,, a Jew at Home: Identity and Performance in Weimar Domestic Melodramas,tion. This recurring metaphor associated these comedies with the discourse about Jewish assimilation and, at the same time, facilitated the portrayal of the stereotypical “Jew” as a symbol of modern urban society at large. This chapter shifts the focus to a different genre that was equally popular a
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A Man in ,, a Jew at Home: Identity and Performance in Weimar Domestic Melodramas,tion. This recurring metaphor associated these comedies with the discourse about Jewish assimilation and, at the same time, facilitated the portrayal of the stereotypical “Jew” as a symbol of modern urban society at large. This chapter shifts the focus to a different genre that was equally popular a
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,Wandering Jews: A “Jewish” Solution to the German Crisis in Weimar Exotic Adventure and War Films,irations with three key components of the Jewish assimilation discourse—the constitution of authenticity through acting; spatial duality as an emblem of hybrid identity; and emphasis on the perspective of “the stranger,” the outsider-from-within modern urban society. This chapter examines the utiliz
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