標(biāo)題: Titlebook: Contemporary British Artists of African Descent and the Unburdening of a Generation; Monique Kerman Book 2017 The Editor(s) (if applicable [打印本頁] 作者: emanate 時(shí)間: 2025-3-21 17:43
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation影響因子(影響力)
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation影響因子(影響力)學(xué)科排名
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation網(wǎng)絡(luò)公開度
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation被引頻次
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation被引頻次學(xué)科排名
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation年度引用
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation年度引用學(xué)科排名
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation讀者反饋
書目名稱Contemporary British Artists of African Descent and the Unburdening of a Generation讀者反饋學(xué)科排名
作者: Hypopnea 時(shí)間: 2025-3-21 20:17
Magdalene Odundo,engths; these include her Kenyan heritage, art education in ceramics within the context of British studio pottery, and international exhibition history in both fine art and design contexts. She has repeatedly stretched the boundaries within which her work is classified and has, for example, particip作者: 有助于 時(shí)間: 2025-3-22 01:05
Veronica Ryan,s span continents. Her abstract sculptures and installations draw on her biography, ancestral history, and experiences in her environment as well as universal concepts of place, memory, and human psychology. Her move in 1990 to New York City provided an opportunity to position her creative practice 作者: 有發(fā)明天才 時(shí)間: 2025-3-22 06:07 作者: persistence 時(shí)間: 2025-3-22 09:17 作者: 笨重 時(shí)間: 2025-3-22 13:44 作者: 笨重 時(shí)間: 2025-3-22 17:57 作者: blister 時(shí)間: 2025-3-22 23:05 作者: amenity 時(shí)間: 2025-3-23 02:07 作者: homocysteine 時(shí)間: 2025-3-23 08:16
Entwicklungsstand der ummantelten Schrauben,ca Ryan, Mary Evans, and Maria Amidu. The details of their experiences and the originality of their work demonstrate that, no matter in what contexts they might be described as “black” or “women artists,” each artist is unique and it is this uniqueness that gives her work its full value.作者: GRE 時(shí)間: 2025-3-23 13:01 作者: 躲債 時(shí)間: 2025-3-23 17:10
Wilbelm Sturtzel,Hermann Schmidt-Stiebitzs a female, Afro-Caribbean, black, British, and American-based artist has tended to shift emphasis, and this shifting has inspired new perspectives. This chapter chronicles Ryan’s childhood, education, and professional trajectory.作者: 燈泡 時(shí)間: 2025-3-23 19:11
Wilbelm Sturtzel,Hermann Schmidt-Stiebitzmpire are embedded in such practices. These resonate with contemporary identity politics and issues of belonging and alienation. The chapter chronicles Evans’ childhood, education, and professional trajectory.作者: fatty-acids 時(shí)間: 2025-3-24 01:09
https://doi.org/10.1007/978-3-663-07386-4udiences and children. She is a compelling example of a contemporary artist who pushes beyond the orthodox boundaries of categorization, whether it be racial, medium-driven, or even in relation to what constitutes an “artist.”作者: Vsd168 時(shí)間: 2025-3-24 05:42 作者: 繼而發(fā)生 時(shí)間: 2025-3-24 06:52
Magdalene Odundo,on art. This chapter offers a chronicle of Odundo’s childhood, education, and career trajectory that includes her personal and professional relationship to conceptualizations of an African or black British identity.作者: Derogate 時(shí)間: 2025-3-24 10:52 作者: 致命 時(shí)間: 2025-3-24 17:31
Mary Evans,mpire are embedded in such practices. These resonate with contemporary identity politics and issues of belonging and alienation. The chapter chronicles Evans’ childhood, education, and professional trajectory.作者: Obverse 時(shí)間: 2025-3-24 19:47 作者: 洞穴 時(shí)間: 2025-3-25 01:10
Reckoning with Identity, Race, and Gender,s to elucidate the four case studies of the previous chapters with additional data, thus demonstrating how the artists’ diversity of experiences and personal convictions are essential to both the intentions behind and the interpretation of their art.作者: endoscopy 時(shí)間: 2025-3-25 05:20
Book 2017gh their works—particularly the expectation or “burden” of representing minority or marginalized communities. Readers are thus challenged to unburden the artists herein and celebrate their work on its own terms...作者: 實(shí)現(xiàn) 時(shí)間: 2025-3-25 08:48
scent.Analyzes the ways in which activities associated with This book explores the notable roles that contemporary British artists of African descent have played in the multicultural context of postwar Britain. In four key case studies— Magdalene Odundo, Veronica Ryan, Mary Evans, and Maria Amidu—Mo作者: 有花 時(shí)間: 2025-3-25 11:51 作者: 輕觸 時(shí)間: 2025-3-25 15:48 作者: 星星 時(shí)間: 2025-3-25 23:03 作者: 正面 時(shí)間: 2025-3-26 02:54 作者: frugal 時(shí)間: 2025-3-26 07:00
and ethnic identities that the artists often negotiate through their works—particularly the expectation or “burden” of representing minority or marginalized communities. Readers are thus challenged to unburden the artists herein and celebrate their work on its own terms...978-3-319-87972-7978-3-319-65199-6作者: 傳染 時(shí)間: 2025-3-26 10:06 作者: thwart 時(shí)間: 2025-3-26 12:43
978-3-319-87972-7The Editor(s) (if applicable) and The Author(s) 2017作者: Musket 時(shí)間: 2025-3-26 18:16
https://doi.org/10.1007/978-3-663-07384-0orary art. This chapter introduces the subject, methodology, and organization of this study, which concentrates on British artists of African descent since 1980, and specifically women artists. It explains why Magdalene Odundo, Veronica Ryan, Mary Evans, and Maria Amidu are the subjects of the case 作者: 感情 時(shí)間: 2025-3-27 00:33
https://doi.org/10.1007/978-3-663-07384-0engths; these include her Kenyan heritage, art education in ceramics within the context of British studio pottery, and international exhibition history in both fine art and design contexts. She has repeatedly stretched the boundaries within which her work is classified and has, for example, particip作者: BYRE 時(shí)間: 2025-3-27 02:47
Wilbelm Sturtzel,Hermann Schmidt-Stiebitzs span continents. Her abstract sculptures and installations draw on her biography, ancestral history, and experiences in her environment as well as universal concepts of place, memory, and human psychology. Her move in 1990 to New York City provided an opportunity to position her creative practice 作者: outskirts 時(shí)間: 2025-3-27 08:48
Wilbelm Sturtzel,Hermann Schmidt-Stiebitz cut paper since the mid-1990s. Evans challenges an academic hierarchy of media that separates fine art from craft. Her installations and vignettes investigate visual signs and signifiers of the human form, particularly the ways in which society standardizes representations of people, events, and ob作者: 開頭 時(shí)間: 2025-3-27 12:26
https://doi.org/10.1007/978-3-663-07386-43D design with an emphasis on glass, Amidu is not bound by any medium, but draws upon various strategies to create work that interrogates historical narratives, personal memories, nostalgia, loss, belonging, and the connections between people. This chapter chronicles Amidu’s childhood, education, an作者: 琺瑯 時(shí)間: 2025-3-27 15:37
,Schwei?en mit dem CO2 —Sprühlichtbogen,s includes their place of birth, parents’ nationality, where they were raised, the conditions in which they moved (i.e. forced or by choice), education, and each artist’s unique relationship with his or her African ancestry and cultural heritage. Among the artists included are Zarina Bhimji, Steve M作者: Grasping 時(shí)間: 2025-3-27 21:20
Entwicklungsstand der ummantelten Schrauben, the Black Arts Movement. It examines their experiences of marginalization in the light of this legacy and to what degree they have achieved parity with their white peers. It compares and contrasts the formal working methods, thematic concerns, and professional strategies of Magdalene Odundo, Veroni作者: opinionated 時(shí)間: 2025-3-27 22:10
Monique KermanInvestigates the work and career trajectories of four artists under-represented in scholarship of contemporary British artists of African descent.Analyzes the ways in which activities associated with 作者: Crohns-disease 時(shí)間: 2025-3-28 02:42 作者: MURAL 時(shí)間: 2025-3-28 07:18
