Titlebook: We Only Talk Feminist Here; Feminist Academics, Briony Lipton,Elizabeth Mackinlay Book 2017 The Editor(s) (if applicable) and The Author(s

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Introduction: Framing Feminist Talk,ed? This book aims to provide a contemporary account of what it might mean to ‘only talk feminist’ in the neoliberal university and draws upon qualitative interviews and conversations with feminist academics in Australia, as well as our own individual and shared experiences, to demonstrate the perfo

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Writing as Speaking,ciety we hope for? Here we ground our work in the writings of Hélène Cixous and Sara Ahmed, two different women writing at different times in different places but arguably searching for ways to work within/against the in-between-ness of women’s experiences. Drawing on Cixous’ . as a ‘willful’ method

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Concepts of Voice and Feminism,pter we explore the paradoxical concepts of voice and feminism, and focus on what speech acts do, whom they include and exclude, whose voices are valorised and whose are silenced. We critically interrogate notions of silencing and silence in relation to women’s voices, agency, and empowerment. In do

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Speaking into the Silence,tics of public and private reprimand for talking feminist and the ways in which such censure of feminist voices elicits a fight or flight response. Further, we also ask, in what spaces are feminist academics ‘willing’ to reveal their feminist talk and what happens to these voices when they do speak

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A Final (In)decision: Talking Feminist,e much broader methodological, epistemological, and ontological issues. This chapter emphasises why it is still so important to continue to talk feminist, examining the ways in which feminist academics talk back in their daily working lives and inspire a sense of collective solidarity in a highly co

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Book 2017are feminist voices sounded, heard, received, silenced, and masked? .We Only Talk Feminist Here. offers insight into the complexities, contradictions, and possibilities of ‘talking feminist’; of writing as speaking, problematising notions of voice and agency, of speaking into the silences and the wa