Titlebook: Wax Impressions, Figures, and Forms in Early Modern Literature; Wax Works Lynn M. Maxwell Book 2019 The Editor(s) (if applicable) and The A

圓錐體

Wax Seals: Gendered Relations in Shakespeare,y imprinted by the pressure of a hard, impervious, and masculine signet. The chapter begins with .-. to show how strongly women were associated with wax in the period. It then turns to Shakespeare’s ., and . to argue that Shakespeare uses the signet–seal trope in ways that disrupt those gender binar

BRAWL

Wax Minds: Writing Subjectivity and Agency in , and ,xploring how various philosophical, religious, and educational texts associate the mind with wax and use wax to think through questions of memory, epistemology, virtue, and character formation. It then turns to . and . to explore how those plays use wax to explore problems of subjectivity and agency

迅速成長(zhǎng)

Wax Patterning: Cavendish and the Physics of Wax,ate to each other, but also what it means to be a self and to engage in various kinds of relationships with other selves. By positing that everything is material and all matter is infused with agency and motion, Cavendish questions hierarchical relations and invests agency in seemingly passive posit

Cacophonous

Introduction: Wax Concepts,ural uses. Using Tintoretto’s . and Renè Descartes’ . as its two touchstones, this chapter traces various histories and uses of wax in literature, philosophy, art, and other domains to show the multiplicity of ways that wax works in the period and suggest that wax was a valuable material in the peri

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敘述

Wax Seals: Gendered Relations in Shakespeare,y imprinted by the pressure of a hard, impervious, and masculine signet. The chapter begins with .-. to show how strongly women were associated with wax in the period. It then turns to Shakespeare’s ., and . to argue that Shakespeare uses the signet–seal trope in ways that disrupt those gender binar

聯(lián)想

grieve

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