Titlebook: War, the Army and Victorian Literature; John Peck Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 army.Brita

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,The Crimean: a Novelists’ War,nic Wars, but most could summon up some surprisingly detailed knowledge about the later, less significant, conflict. Central, of course, would be the Charge of the Light Brigade and Florence Nightingale, yet, beyond this, many would know the place names, who the allies were, and possibly even about

upstart

Ischemic-Stroke

Thackeray and the Culture of War,, the War of the Spanish Succession (1701–14) in ., and the American War of Independence (1775–83) in ... It is, therefore, somewhat surprising to come across Andrew Rutherford’s suggestion that Thackeray’s.Rutherford’s case, in his book ., overlaps with some of the points I have been developing: th

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The Army at Home: from Disraeli to Hardy,ing civil order at home. It is in the nineteenth century that this assumes the form we are most familiar with: the army is called in, as at Peterloo, to suppress political unrest.. Scenes of this kind, although less extreme, feature in a number of Victorian novels, or, to be more precise, early to m

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Fretful

Heroes,t plain that it is possible to combine an interest in military history with the essentially liberal values that we encounter in novels from the period. Creasy’s book is not a celebration of a military elite; indeed, one of the first points he makes is that the military virtues of courage, honour and

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