Titlebook: War Trauma and English Modernism; T. S. Eliot and D. H Carl Krockel Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limite

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fender

,Testimony before Trauma: Eliot’s Poetry up to 1915,Europe in July 1914, weeks before war was declared, was of an indeterminate menace. His poetry in the first year of war strained to find meaning between private and historical experience, although he managed to compose the first fragments of what would become ., the testament of his “historical sense”.

Onerous

Modernism in Crisis: ,r abatement, gradually bettering”, had instead led to “this abyss of blood and darkness”. In refuting the claims to progress of capitalism, imperialism and industrialisation, the outbreak of war also proved false the values of the novel since the nineteenth century, of civilisation’s progress throug

Polydipsia

Myocyte

窩轉(zhuǎn)脊椎動(dòng)物

curriculum

Testimony as History: ,o located its finger on “the whole pulse of social England”, betrayed uncertainty regarding the chapter “The Industrial Magnate”: “In some moods, the account of the [industrial] process may very well strike us as something like the essential human history of the decades since . was written.” Dismiss

Gossamer

托運(yùn)

Magisterial