Titlebook: Walking and the Aesthetics of Modernity; Pedestrian Mobility Klaus Benesch,Fran?ois Specq Book 2016 The Editor(s) (if applicable) and The

柏樹(shù)

PAC

寬度

Pillory

Musing, Painting, and Writing: Walking as an Art in Diderot’s ,deed, the narrative of a walk corresponds here to the depiction of Vernet’s paintings and constitutes a surprising “art of walking,” where the limits between nature and art, reality and fiction vanish. This chapter questions the links between art and walking in literature and tries to underline the

Anticlimax

“Du croisement de leurs innombrables rapports”: Baudelaire and De Quincey’s ,oetry finds its roots in “the criss-cross of the innumerable interrelations” which the city is made of. The polysemy of the word . lends itself well to analyzing the .’s journey. It is a spatial term which refers both to physical movement and geography. It is a social term which provides a way to ta

Offset

How Poetry Comes to Him: An Excursion to Gary Snyder’s Wild Poeticsldness in a natural environment. Such scenes must be discovered on foot; the physical connection with nature precedes inspiration. I read the poem as a myth of origins, distinguishing three levels on which walking is significant. First, as an enabling .; second, as an . of poetic inspiration; and th

削減

Revisiting the American “Walk Poem”: A.R. Ammons, Charles Olson, and Jonathan Williamsson, arguing that there are more similarities between their respective treatments of walking than Gilbert allows for. It then considers Jonathan Williams, associated at different times with both Olson and Ammons, and suggests that Williams’s poetry uses walking in ways to which the term “walk poem”

整潔

Walking the Streets of London in the Eighteenth Century: A Performative Art?ion of/in space that pre supposes the presence of the body of the observer. . is a performative principle based on the creation of narrative maps of the progress of bodies through their particular observations of space. By juxtaposing De Certeau’s theory of the “flaneur” and Debord’s idea of psychog

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不能逃避

Musing, Painting, and Writing: Walking as an Art in Diderot’s ,deed, the narrative of a walk corresponds here to the depiction of Vernet’s paintings and constitutes a surprising “art of walking,” where the limits between nature and art, reality and fiction vanish. This chapter questions the links between art and walking in literature and tries to underline the