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Titlebook: Walking and the Aesthetics of Modernity; Pedestrian Mobility Klaus Benesch,Fran?ois Specq Book 2016 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-23 09:53:17 | 只看該作者
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發(fā)表于 2025-3-24 02:54:54 | 只看該作者
Existential Wanderings in Gus Van Sant’s “Walking Trilogy”: ,, ,, and ,hardly anything but walk, by examining the forms, functions, effects, and meanings that the act of walking takes in them. My aim is thus to underscore how these films, far from being merely formalist, create original, . narrativity and discourse that can be deciphered through the characters’ wanderings.
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ogether an impressive array of international scholars, criti.This book gathers together an array of international scholars, critics, and artists concerned with the issue of walking as a theme in modern literature, philosophy, and the arts. Covering a wide array of authors and media from eighteenth-c
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發(fā)表于 2025-3-24 21:20:27 | 只看該作者
Walking the Streets of London in the Eighteenth Century: A Performative Art?he progress of bodies through their particular observations of space. By juxtaposing De Certeau’s theory of the “flaneur” and Debord’s idea of psychogeographical drift I shed new light on the aesthetics of walking during the eighteenth century, in particular, regarding texts such as Gay’s . (1716), Defoe’s . (1722), and . (1722).
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發(fā)表于 2025-3-25 01:25:21 | 只看該作者
Walking the Streets of London in the Eighteenth Century: A Performative Art?he progress of bodies through their particular observations of space. By juxtaposing De Certeau’s theory of the “flaneur” and Debord’s idea of psychogeographical drift I shed new light on the aesthetics of walking during the eighteenth century, in particular, regarding texts such as Gay’s . (1716), Defoe’s . (1722), and . (1722).
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