Titlebook: Walking Robots into Real World; Proceedings of the C Karsten Berns,Mohammad Osman Tokhi,Rüdiger Dillman Conference proceedings 2024 The Edi

柔軟

集聚成團(tuán)

gnizable discourse of ‘chronicle drama’, in which putatively ‘real’ historical events are enacted through a fundamentally mimetic and representational medium; the other a self-reflexive genre which contains, in its dialectic of pastoral and counter-pastoral, an active dialogue between ‘realistic’ an

INERT

Navinda Kottegederdale. The players, a group of brothers named the Simpsons, were apparently recusants. So boisterous was this “seditious interlude,” involving an uproarious scene in which a devil carries off a Church of England minister on his shoulders, that it caused something of a riot and even attracted the a

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debouch

Alin Albu-Sch?fferunt down remorselessly every allusion, re-building from fragments the lost design of local satire, or to ignore altogether the in-jokes of the period and concentrate on the general thematic structure of the play. Neither method is ideal; for the archaeological approach by focussing on the deadest pa

Thyroiditis

English history play in close relation to The Massacre at Paris, but also – paradoxically – to establish it more firmly as a pivotal text between the First Tetralogy and the Second.. Such a function matches the text’s presumed date and obvious affinity with .. Within a broadly delineated “discursiv

overweight

Niklas Spielbauer,Andrey Tkachenko,David Oberacker,Arne Roennau,Rüdiger Dillmannused James’s wrath through his portrait of the trial of Duessa in ., V, ix, a transparent allegory of the trial and execution of Mary Queen of Scots on 8 February 1587. The English ambassador in Scotland, Robert Bowes, wrote to Lord Burghley on 1 November 1596 that James refused to allow the second

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招人嫉妒

Bart?omiej Kulecki,Dominik Belter the other groups of plays. They are awkward dramas, full of unresolved controversies, which leave audiences and readers unsettled by contradictory responses..Nicholas Marsh uses close analysis of extracts from the plays to explore how Shakespeare maintains competing discourses within a single text.

Antarctic

hat entitles the one to track down and punish the other. Three plays typically prove able to help with these investigations: ., . and, perhaps less predictably, .. Less loudly announced but no less important is a related enquiry into who the reader is and what is at stake in their engagement with de