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Titlebook: Wahrnehmung und Herstellung von Geschlecht; Perceiving and Perfo Ursula Pasero,Friederike Braun Book 1999 Westdeutscher Verlag GmbH, Oplade

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樓主: HIV763
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發(fā)表于 2025-3-25 05:16:49 | 只看該作者
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發(fā)表于 2025-3-25 16:08:25 | 只看該作者
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發(fā)表于 2025-3-25 23:54:00 | 只看該作者
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發(fā)表于 2025-3-26 03:35:07 | 只看該作者
27#
發(fā)表于 2025-3-26 07:42:54 | 只看該作者
Thus spake the Medusa: Problems with gendered writing in Nietzsche and Cixousult to conceive of two more disparate thinkers. For, whereas one associates Cixous with the theory and practice of a triumphant, feminine writing — of “écriture féminine” — Nietzsche’s name is often seen as synonymous with the worst sort of misogyny — a kind of unapologetically aggressive “écriture
28#
發(fā)表于 2025-3-26 08:44:29 | 只看該作者
Disturbing sight: Women staging women in European theatren of constructing and performing identity. In contributing I am of course staging myself: this performance is part of an ongoing construction of academic or intellectual identity — not unimportant, that, especially as female and academic identities have rarely been allowed to co-exist, certainly not
29#
發(fā)表于 2025-3-26 14:02:52 | 只看該作者
Real and hyperreal: A politics of the other. In her novel, . she disrupts the discourses of sexual difference that determine how gender is constructed in our society today. Winterson’s bisexual protagonist the Venetian girl, Villanelle uses disguise in her pursuit of passion, a disguise that puts her in the in-between position of a bisexual,
30#
發(fā)表于 2025-3-26 20:14:14 | 只看該作者
Perceiving and performing Caryl Churchill: The drama of gender constructioninstitutionalized frame that proffers fictitious but mimetic constructions of reality. Dramatic texts and theatrical performances establish ’as if situations that either perpetuate traditional, seemingly common-sensical norms or that challenge these norms by exposing their artificiality and construc
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